Free Lyrics 2026

Five ~ 12345


Are you ready for attack? Yeah, Yeah, Yeah Stargate ah yeah Yeah etc Five have been around and livin' it up We're changin' it around just keeping you right When we get excited no we never stop Everybody knows we can't get enough People say we're dark but we're the light 'Cause we're the only ones that are keeping you tight Everybody's gonna feel high tonight Five's gonna show you how to rock it right Do you want it? Do you need it? Can you feel it? Tonight CHORUS 'Cause you gotta get up You gotta stay on top Throw your hands to the sky Wave them from side to side It's gonna take all night When you rock all right Because we're wanted Dead or alive 12345 (I said 12345) Ready, steady for attack When you feel me comin' Keep comin' back The more you want, the more we got All you gotta do is just give it a shot Drop it into fifth in the fast lane Once you've had a taste you'll be back again Everybody's gonna feel high tonight Five are gonna show you how to rock it right Do you want it? Do you need it? Can you feel it? Tonight CHORUS (Said 12345 x2) Dead or Alive We're comin' tonight To make it all right (Are you ready for attack) Yeah etc CHORUS x2 more free lyrics

Are you ready for attack?
Yeah, Yeah, Yeah
Stargate ah yeah
Yeah etc
Five have been around and livin' it up
We're changin' it around just keeping you right
When we get excited no we never stop
Everybody knows we can't get enough
People say we're dark but we're the light
'Cause we're the only ones that are keeping you tight
Everybody's gonna feel high tonight
Five's gonna show you how to rock it right
Do you want it?
Do you need it?
Can you feel it?
Tonight
CHORUS
'Cause you gotta get up
You gotta stay on top
Throw your hands to the sky
Wave them from side to side
It's gonna take all night
When you rock all right
Because we're wanted
Dead or alive
12345
(I said 12345)
Ready, steady for attack
When you feel me comin'
Keep comin' back
The more you want, the more we got
All you gotta do is just give it a shot
Drop it into fifth in the fast lane
Once you've had a taste you'll be back again
Everybody's gonna feel high tonight
Five are gonna show you how to rock it right
Do you want it?
Do you need it?
Can you feel it?
Tonight
CHORUS
(Said 12345 x2)
Dead or Alive
We're comin' tonight
To make it all right
(Are you ready for attack)
Yeah etc
CHORUS x2

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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