Free Lyrics 2026

Weezer ~ In The Garage


I've got the Dungeon Master's Guide. I've got a twelve sided die. I've got Kid Pride. And Nightcrawler too, waiting there for me, yes I do. I do. I've got posters on the wall. My favorite rock group Kiss. I got ace freely. I've got Peter Chris, Waiting there for me, yes I do. I do. In the Garage, I feel safe. No one cares about my ways. In the Garage, where I belong. No one hears me sing this song. In the Garage. I got electric guitar. I play my stupid songs. I write these stupid words. And I love everyone waiting there for me, yes I do. I do. In the Garage, I feel safe. No one cares about my ways. In the Garage, where I belong, No one hears me sing this song. In the Garage. In the Garage. Arrah! In the Garage, I feel safe. No one cares about my ways. In the Garage, where I belong, No one hears me singing this song. In the Garage. In the Garage. In the Garage, I feel safe. No one laughs about my ways. In the Garage, where I belong, No one hears, No one hears me! No one hears me, No one hears me! No one hears me sing this song. more free lyrics

I've got the Dungeon Master's Guide.
I've got a twelve sided die.
I've got Kid Pride.
And Nightcrawler too, waiting there for me, yes I do.
I do.

I've got posters on the wall.
My favorite rock group Kiss.
I got ace freely.
I've got Peter Chris, Waiting there for me, yes I do.
I do.

In the Garage, I feel safe.
No one cares about my ways.
In the Garage, where I belong.
No one hears me sing this song.
In the Garage.

I got electric guitar.
I play my stupid songs.
I write these stupid words.
And I love everyone waiting there for me, yes I do.
I do.

In the Garage, I feel safe.
No one cares about my ways.
In the Garage, where I belong,
No one hears me sing this song.
In the Garage.
In the Garage.
Arrah!

In the Garage, I feel safe.
No one cares about my ways.
In the Garage, where I belong,
No one hears me singing this song.
In the Garage.
In the Garage.

In the Garage, I feel safe.
No one laughs about my ways.
In the Garage, where I belong,
No one hears, No one hears me!
No one hears me, No one hears me!
No one hears me sing this song.

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.

We Create Together

The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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