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Beatnuts, The ~ Do You Believe


Juju: Ayo , its ill when i'm heated how my heart stay cold Write a rhyme that make the gats around the world explode Now behold the burning malice of a treacherous soul First time i shot a gun duke , i was 12 years old But since then , i've never put it down my friend She go to war when i tell her Fuck a who , why , when , til the end Indeed its good to have and not need Even better when you can shoot back and not bleed Take heed , poppin like an el full of seed My team is gettin bigger , got more mouths to feed Shorty let me tell you bout my only vice It got to do with lots of money and it aint nothin nice It aint nothin nice Chorus: (2x) Ay , you believe in god? You do , tell him to save you Cause me and these niggaz here We aint tryin to save you Regardless of the fact that its close to home I gotta finish your life , so i can start my own My own nigga Psycho les: Ayo , my audios guaranteed to lift the audience It was that time again So we gathered up 40 men 40 ounces , trees burning , heads bouncin Dollars is the mission Sittin in the yoga position Isolate my mind from your bitchin Pulp fiction Lose you in the mix in Lets get this poppin , lock down the top 10 Knockin pretty boy cats on they ass each time we drop kid Yeah , you know how we comin Raw grooves with the funky drum drummin And when my song goes off You'll still be hummin Noddin your head , or singin my chorus The after midnight feen The 4 in the morning blunt feen Peelin dutches Fill em in like taco shells Willing judges Wheeling jake with half a cake in my coat Pointin gats like remotes At cats with federal notes Tossin bodies off boats Chorus (2x) Our own nigga , our own more free lyrics

Juju:

Ayo , its ill when i'm heated how my heart stay cold
Write a rhyme that make the gats around the world explode
Now behold the burning malice of a treacherous soul
First time i shot a gun duke , i was 12 years old
But since then , i've never put it down my friend
She go to war when i tell her
Fuck a who , why , when , til the end
Indeed its good to have and not need
Even better when you can shoot back and not bleed
Take heed , poppin like an el full of seed
My team is gettin bigger , got more mouths to feed
Shorty let me tell you bout my only vice
It got to do with lots of money and it aint nothin nice
It aint nothin nice

Chorus: (2x)
Ay , you believe in god?
You do , tell him to save you
Cause me and these niggaz here
We aint tryin to save you
Regardless of the fact that its close to home
I gotta finish your life , so i can start my own

My own nigga

Psycho les:

Ayo , my audios guaranteed to lift the audience
It was that time again
So we gathered up 40 men
40 ounces , trees burning , heads bouncin
Dollars is the mission
Sittin in the yoga position
Isolate my mind from your bitchin
Pulp fiction
Lose you in the mix in
Lets get this poppin , lock down the top 10
Knockin pretty boy cats on they ass each time we drop kid
Yeah , you know how we comin
Raw grooves with the funky drum drummin
And when my song goes off
You'll still be hummin
Noddin your head , or singin my chorus
The after midnight feen
The 4 in the morning blunt feen
Peelin dutches
Fill em in like taco shells
Willing judges
Wheeling jake with half a cake in my coat
Pointin gats like remotes
At cats with federal notes
Tossin bodies off boats

Chorus (2x)

Our own nigga , our own

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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The future of global music is not determined by algorithms, nor is it monopolized by a few giants. It is shaped by every person who presses the play button. Maintain your curiosity, step out of your comfort zone. Support independent musicians and attend live performances. Seek connections through music - because we believe that a song can change a day, and music can change the world.

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