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Carlos Gardel ~ Bandoneon Arrabalero


Bandoneon arrabalero, viejo fuelle desinflado, Te encontre como a un pebete que la madre abandono En la puerta de un convento sin reboque en las paredes, A la luz de un farolito que de noche te alumbro. Bandoneon, porque ves que estoy triste y cantar ya no puedo, Vos sabes que yo llevo en el alma marcao un dolor. Te lleve a mi pieza, te acune en mi pecho frio, Yo también abandonado me encontraba en el bulin; Has querido consolarme con tu voz enronquecida Y tus notas doloridas aumento mi berretin. more free lyrics

Bandoneon arrabalero, viejo fuelle desinflado,
Te encontre como a un pebete que la madre abandono
En la puerta de un convento sin reboque en las paredes,
A la luz de un farolito que de noche te alumbro.

Bandoneon, porque ves que estoy triste y cantar ya no puedo,
Vos sabes que yo llevo en el alma marcao un dolor.

Te lleve a mi pieza, te acune en mi pecho frio,
Yo también abandonado me encontraba en el bulin;
Has querido consolarme con tu voz enronquecida
Y tus notas doloridas aumento mi berretin.

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Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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